<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Film on Compass Rose</title><link>https://compassrose.garden/tags/film/</link><description>Recent content in Film on Compass Rose</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Wed, 08 Jul 2026 22:34:49 -0600</lastBuildDate><atom:link href="https://compassrose.garden/tags/film/index.xml" rel="self" type="application/rss+xml"/><item><title/><link>https://compassrose.garden/micro/obsession-and-mepthistopheles/</link><pubDate>Wed, 08 Jul 2026 00:00:00 +0000</pubDate><guid>https://compassrose.garden/micro/obsession-and-mepthistopheles/</guid><description>&lt;p&gt;Just finished watching &lt;em&gt;Obsession&lt;/em&gt; (2025), written and directed by Curry Barker. What a twisted little film; loved it. One loose takeaway: it&amp;rsquo;s partly a productive misreading&lt;sup id="fnref:1"&gt;&lt;a href="#fn:1" class="footnote-ref" role="doc-noteref"&gt;1&lt;/a&gt;&lt;/sup&gt; of the &lt;em&gt;Faust&lt;/em&gt; legend, with Nikki suffering ruin in part because she is deprived of her own autonomy and existence &amp;mdash; that is, a Gretchen, who was deprived of reputation, family, child, and her own interiority. Of course, it doesn&amp;rsquo;t totally hold up: Gretchen maintains dignity even in death, while Nikki is deprived of dignity as a severely overdetermined motif throughout the entire film (it is, after all, a horror film).&lt;/p&gt;</description></item></channel></rss>