<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Byron on Compass Rose</title><link>https://compassrose.garden/tags/byron/</link><description>Recent content in Byron on Compass Rose</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Tue, 23 Jun 2026 23:07:19 +0900</lastBuildDate><atom:link href="https://compassrose.garden/tags/byron/index.xml" rel="self" type="application/rss+xml"/><item><title>Byron and P(h)antisocracy</title><link>https://compassrose.garden/posts/byron-and-phantisocracy/</link><pubDate>Tue, 26 Sep 2023 00:00:00 +0000</pubDate><guid>https://compassrose.garden/posts/byron-and-phantisocracy/</guid><description>&lt;p&gt;&lt;em&gt;This piece was originally published on Phantisocracy, the predecessor
to this site. The name &amp;ldquo;Phantisocracy&amp;rdquo; is explained, in part, below.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Byron&amp;rsquo;s &lt;em&gt;Don Juan&lt;/em&gt; satirizes fluently and abundantly, often through the
art of reversal. The titular Don Juan is no longer seducer, but seducee;
Wordsworth the unhired elitist &amp;ldquo;season[s]&amp;rdquo; his poems &amp;ldquo;with
democracy.&amp;rdquo; The poem was celebrated as a liberal masterpiece in its
time, and it was reviled. It caused offense in its time, and it &lt;a href="http://www.cambridgeblog.org/2023/06/byrons-don-juan/"&gt;still
does&lt;/a&gt;. Richard
Cronin astutely sees it as a poem that &amp;ldquo;claims the right to give and to
take offence, but it is also a poem &amp;hellip; that extends that same right to
its readers.&amp;rdquo;&lt;/p&gt;</description></item></channel></rss>